Concrete Desert Sounds like
Like master painters exploring a subject over a lifetime’s work, Kevin Martin and Dylan Carlson – The Bug and Earth, respectively – have each been mining and defining their genres for more than 20 years. They’re united by an interest in – really an obsession with – heaviness. They search for, examine and break the boundaries between beautiful and ugly, minimal and maximal, light and dark – but The Bug and Earth always make music that is heavy in the most thrilling of ways.
Earth, and its founding member Carlson, first appeared in the early ’90s, and came to prominence with their Sub Pop release “Earth 2”. An exercise in SLOW distorted droning minimalist riffage, their debut was the blueprint for what Dylan coined at the time “ambient metal,”– a style still being pushed forward on his latest Southern Lord release “Primitive And Deadly.”
Kevin Martin’s career spans the same timeframe. Techno Animal, Ice, God, Razor X, King Midas Sound, and of course the The Bug moniker. All of which explore(d) the fringes of experimental and heavy music. With his recently released “Angels & Devils” LP receiving high praise across the board, he once again put his sonic stamp on the here and now with his collaborators Liz Harris (of Grouper), copeland, Miss Red, Gonjasufi, Flowdan, Death Grips, Justin Broadrick (Godflesh/Jesu), and Warrior Queen.
These two uncompromising outsiders met via the visual artist Simon Fowler (Angels & Devils.) Simon arranged for Dylan to come to a King Midas Sound gig, but Martin’s trademark use of a powerful strobe light meant that the epileptic Carlson couldn’t enter the room. Undeterred, Carlson featured King Midas Sound’s music in a podcast, and the pair eventually decided to collaborate around “Angels & Devils.”
The anglophile Carlson had long admired Martin, and other British sonic experimenters like Spacemen 3 or Pentangle. In turn, Martin understood the genius in Carlson’s deconstruction of metal, and Earth’s boiling down of the genre to its core, elemental riffs. Martin saw that he and Dylan were both “wanderers,” and “misfits in the world we live in.” They were both huge fans of dub and the Velvet Underground, and they discussed how those influences could provide a combined template for something entirely new.
When they finally began to record, it quickly became apparent that the music they made together needed room to stretch out and “drone,”– to be its own thing. Two tracks eventually emerged, “Boa”&”Cold,” and were released as a standalone EP, with Dylan’s signature guitar sound weaving seamlessly around some of Kevin’s most destructively heady bass explorations. Martin had decided to exclude those songs from ‘Angels & Devils’, as he felt “They had developed a singular life of their own, outside of the identity of that album.”
Ninja Tune asked The Bug and Dylan Carlson to perform live in LA around the label’s 25th anniversary, and Martin and Carlson took the opportunity to further the recording project in person. So The Bug vs Earth project holed up in Daddy Kev’s legendary LA studio, with DJ Nobody engineering, for two very long days. Those recording sessions have resulted in the masterpiece that is “Concrete Desert.” Inspired by J.G. Ballard’s urban dystopias, and the Californian dream capital’s sordid, fragmented underbelly, Martin says that the album is in some ways a Los Angeles-set companion piece to “London Zoo.”
The record’s beautiful, chiming melodies are like shards of sonic light, glowing in currents of heavy bass darkness. There are pulsing soundscapes, ambient pinks and whites, and irresistible grooves. This is music that grips you entirely, and catches you in its lava-flow – an astonishing, primal album of vast depth.